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Stephen Mills

Tenor Stephen Mills is in demand throughout the classical repertoire and is sought after for both Oratorio and Opera, as well as on the concert platform. He was recently awarded a Masters in Performance with Distinction from the Royal College of Music where he was a TSH Prince Donatus and Princess Heidi Von Hohenzollern Scholar.

His operatic experience includes Nemorino in L'elisir d'amore, the Jester in Sayat Nova, Bardolfo in Falstaff, Le Fils in Les mamelles de Tirésias, Ormindo in Cavalli’s Ormindo, Vašek in The Bartered Bride, Snout and Laisander in A Midsummer Night’s Dream, Tenor Soloist in Terteryan’s The Ring of Fire, Sam Kaplan in Street Scene, Don Ottavio in Don Giovanni, Bastien in Bastien und Bastienne, Gherardo in Gianni Schicchi, Richard Dauntless in Ruddigore, Gomatz in Zaide and Le Chevalier in Dialogues des Carmélites. Stephen performed the part of Heddle Nash in Vaughan Williams’ Serenade to Music at Buckingham Palace in February 2017, conducted by John Wilson, and also performed Vaughan Williams’ On Wenlock Edge at Leith Hill Place, Surrey in May 2017 with Dr. Natasha Loges and the Bach Quartet. Stephen joined the chorus of Glyndebourne Opera for the 2018 Festival and Tour in their productions of Madame Butterfly, Der Rosenkavalier, Saul, La Traviata and Cendrillon. Stephen has been awarded a place at the Lyon Opera Studio and will perform the roles of Giove, Eumete and Eurimaco in their production of Il ritorno d'Ulisse in patria.

Stephen received second place in both the Cecil Drew Oratorio Prize in 2013 and the Birmingham Conservatoire Singing prize in 2014 and reached the finals of the Les Azuriales Opera Competition in 2017, the RCM Lieder Prize in 2016, the Kathleen Ferrier Youth Competition in 2011, the Reginald Vincent Lieder Prize in 2012 and the Edward Brookes Lieder Prize in 2014.

In March 2018, he made his Wigmore Hall debut singing the roles of Mordecai and First Israelite in Handel's Esther as part of the London Handel Festival and also sang the tenor solo in Berlioz' Requiem at Birmingham Symphony Hall with the Birmingham Philharmonic in February 2018. His solo oratorio experience includes Berlioz' Requiem, Schütz' St. Matthew Passion, Bach’s Magnificat, B Minor Mass, St. John Passion, Cantata No.21 and Christmas Oratorio, Mendelssohn’s Elijah, Stainer’s Crucifixion, Mozart’s C Minor Mass, Litaniae Lauretanae and Requiem, Handel’s Messiah and Esther, Haydn’s Nelson Mass, Missa Sancti Nicolai and Creation, Orff's Carmina Burana, Gounod’s Messe Solennelle de Ste. Cécile, Beethoven's Mass in C and Britten’s Saint Nicolas Mass.


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